*****************************************************
**********************************************************
(Inspired* by the version sung by Lena Meyer-Landrut
accompanied by "The Heavytones" at the show "USFO"
from 02/02/2010 on Pro7)
Capo 4th fred
Intro:
E E7 E E7 E E7 E E7
I, I, I, I, I, I, I, I
Refrain:
Am C E E7/E
You said I'm stubborn and I never give in
Am C E E7 E
I think you're stubborn 'cept you're always softening
Am C E E7
You say I'm selfish, I agree with you on that
Am C E E7 E
I think you're giving out in way too much in fact
Am C E E7/E
I say we've only known each other one year
Am C E E7
You say I've known you longer my dear
Am C E E7/E
You like to be so close, I like to be alone
Am C E E7
I like to sit on chairs and you prefer the floor
Am C E E7/E
Walking with each other, think we'll never match at all
Am C E/E7/E
But we do (4x)
Verse 1:
Am C E E7 E
I thought I knew myself, somehow you know me more, yeah
Am C E E7
I've never known this, no never before
Am C E E7/E
You're the first to make out, whenever we are two
Am C E E7 E
I don't know who I'd be, if I didn't know you
Am C E E7 E
You're so provocative, I'm so conservative
Am C E E7 E
You're so adventurous, I'm so very cautious
Am C E
Combining, I think that we would
Am C E/E7
And we do
Am C E/E7/E
But we do (3x)
Bridge:
Am C E E7
Favouritism ain't my thing
Am C E E7
I'll be glad to make an exception
Am C E E7
Favouritism ain't my thing
Am C E E7
I'll be glad to make an exception
Refrain:
You said I'm stubborn and I never give in
Am C E E7 E
I think you're stubborn 'cept you're always softening
Am C E E7
You say I'm selfish, I agree with you on that
Am C E E7 E
I think you're giving out in way too much in fact
Am C E E7/E
I say we've only known each other one year
Am C E E7
You say I've known you longer my dear
Am C E E7/E
You like to be so close, I like to be alone
Am C E E7
I like to sit on chairs and you prefer the floor
Am C E E7/E
Walking with each other, think we'll never match at all
Am C E/E7/E
But we do
Outro:
E E7 E Am
* This is not the original version, rather an interpreta-
tion of the song, that might also fit to the singing.
**********************************************************
*********************************************************
|