------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Received: from salmon.maths.tcd.ie (salmon.maths.tcd.ie [134.226.81.11]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id FAA03728 for ; Fri, 25 Mar 1994 05:51:34 -0800
From: Edmund Breslin
Date: Fri, 25 Mar 1994 13:51:21 +0000
X-Mailer: Mail User's Shell (7.2.5 10/14/92)
To: [email protected]
Message-ID:
Children of the Damned
by Iron Maiden (Steve Harris)
Transcribed by Eddie Breslin([email protected])
> Acoustic Intro:
These are just the basic chords. Listen for the picking.
>
> Em
> e-0----0--------------|--------------3---------------|
> B-0--------0----------|---------0--------0-----------|
> G-0------------0------|-----0----------------0-------|
> D-2----------------2--|--------------------------0---|
> A-2-------------------|------------------------------|
> E-0-------------------|--3---------------------------|
>
> D C D
> e---------2--------------|-----0-------------2---------|
> B-------------3-------3--|--1-----1------3------3------|
> G--2--------------2------|--0--------0---2---------2---|
> D--0---------------------|--2------------0-------------|
> A------------------------|--3--------------------------|
> E------------------------|-----------------------------|
>
Intro Solo:I've broken this into two main sections. Each one
lasts two bars. Swell into the first note of each
section with the volume control. The key here is
a smooth mellow sound. I haven't shown the vibrato's
because there is a basic 16th note shallow vibrato
through the whole solo, just listen to the record.
Try and pick as few of the notes as possible. Use
smooth slides and hammers/pulls to move between the
notes. Live, I think Dave uses a 4-stage phaser
(MXR Phase 90) with a fairly fast rate (about a
quarter note). There is a slight variation which he
plays on the 12 Wasted Years Video which I've shown.
At the end the F# note is sustained instead of
resolving to the E.
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|-----------------7--/9--7-----7b(9)r-p5-7-p5--|
|--7-----7--9-10------------5------------------|
|----------------------------------------------|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|----------------------------------------------11--12--11h12p11---------|
|--------7-/9--7--5--4h5p4-------------12--14-------------------14-12-14|
|--7------------------------5--12-/14-----------------------------------|
|-----------------------------------------------------------------------|
Variation:
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|----------------------------------------------11--12-p11~sustain-------|
|--------7-/9--7--5--4h5p4-------------12--14---------------------------|
|--7------------------------5--12-/14-----------------------------------|
|-----------------------------------------------------------------------|
Acoustic Riff for Verses:
Em Cmaj7 D6add4
e-----------------0-----------|----------------------------|
> B--------------------0--------|-----------0-------------0--|
> G-----------0-----------0-----|--------0--------------0----|
> D--------2--------------------|-----2--------------4-------|
> A-----2-------------------0h2-|--3--------------5----------|
> E--0--------------------------|----------------------------|
>
Live, in the second verse, after the line "If he had lived he would
have crucified us all" Adrian plays natural harmonics at the 5th fret
as follows.
|--5----------------------|
|-----5-------------------| Natural Harmonics
|--------5----------------|
|-----------5-------------|
|-------------------------|
|-------------------------|
Chorus: I've just shown the basic fingerings for the chorus. You
can pick up the strumming and muting from the record.
Note that on alternate repititions of the riff the last
two chords are muted and strummed differently.
E(m) B(m) C D A G
|----------------------------------------|
|----------------------------------------|
|-------9-9--4-4-------5---7-------------|
|--2----9-9--4-4-------5---7---7-7--5-5--|
|--2----7-7--2-2--0-2--3---5---7-7--5-5--|
|--0---------------------------5-5--3-3--|
After the second chorus the song breaks out of the chorus with
this phrase.
A G F# D E
|-----------------|
|-----------------|
|--9--7--6--------|
|--7--5--4--7--9--|
|--7--5--4--5--7--|
|-----------------|
The rhythm guitar here is just made up of sustained power chords
like this. Live, the sound here shimmers due to Dave's phaser.
The strumming isn't quite this plain, there are a few muted
strums usually before each chord change.
[ Tab from: http://www.guitartabs.cc/tabs/i/iron_maiden/children_of_the_damned_tab_ver_2.html ]
E(m) D C D
|----------------------------------------------------------|
|----------------------------------------------------------|
|----------------------------------------------------------|
|--9-------2 BARS--7--2 BARS-5---1 BAR--7---1 BAR----------|
|--7---------------5---------3----------5------------------|
|----------------------------------------------------------|
The next part is the lead which Adrian plays over the vocals
The note in brackets means that sometimes the phrase finishes
with F# and sometimes D.
|-----------------------|----------------------|--------------------|
|-----------------------|----------------------|--------------------|
|-----------------------|----------------------|--------------------|
|--------4--5--4--------|--------4-5-4---------|-/9-9-10-7-9-7-5-4--|
|--7--------------7--5--|--7------------7---5--|----------------(5)-|
|-----------------------|----------------------|--------------------|
The next part is the guitar harmony before the solo.
The bends at the end of these phrases may or may not be unison bends.
Try them yourself and see what you think.
Gtr I (Adrian)
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|--9---11-12-11--9--7--4~--5-/7--5--4--7--5--9--11b(12)-9b(11)-7b(9)--|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
|---------------------------------------------------------------------|
Gtr II (Dave)
|---------------------------------------------------------------|
|--8--10-/12-10-8-12-7----------------8-10b(12)-8b(10)----------|
|----------------------9-/11-9-7-11-9------------------11b(12)--|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
The guitar solo is tapped with the side of the plectrum.
The highest note of each triplet phrase is tapped and the other
two notes are fingered with the first and third finger of your
left hand.
The tab as shown is played t
|