|----------------|----------------|----------------|----------------|----------------|
D|------2--02-4---|------2---------|------2---------|----2-4-----2---|----2-4---------|
A|0-004-----------|0-004-------0---|0-004-----------|0-4-----0-4---4-|0-4---------0---|
E|----------------|----------2-----|----------2-2---|----------------|----------2-----|
B:
G|----------------|----------------|
D|----------------|----------------|
A|0-------07------|09------09------|
E|----------------|----------------|
C:
G|----------------|----------------|
D|----------------|----------------|
A|0-------07------|05--------------|
E|----------------|----------------|
D:
G|----------------|----------------|
D|----------------|----------------|
A|0-------07------|0---------------|
E|----------------|----------------|
E:
G|----------------|--------11------|
D|----------------|----------------|
A|0-------7-------|9---------------|
E|----------------|----------------|
F:
G|----------------|--------11------|
D|----------------|----------------|
A|0-------7-------|9-------------9-|
E|----------------|----------------|
G:
G|----------------|----------------|
D|----------------|----------------|
A|7-------7-------|7-------5-------|
E|----------------|----------------|
H:
G|----------------|
D|----------------|
A|9-------7-------|
E|----------------|
I:
G|----------------|-----14----36---|
D|--------------2-|4---2-----4-----|
A|0-----------04--|----------------|
E|----------------|----------------|
Order:
A* x3
B**x2
C x1
D x1
A x2
B x2
C x1
D x1
A x1
E x1
F x1
G x1
break for 2 measures or pluck open A's to your hearts content
B x2
C x1
H x1
I x9 fade out. During the fourth time, skip the 042-4--- in the middle.
*Bass starts at 7th measure of song (after "under the roof of the 19th floor") with the
2nd measure in 'A', but you can start at the beginning with the begining of 'A' if you
want. It sounds like Paul switches between playing F# A, as shown, and A A as the last
two notes in 'A'. Pick one or alternate, whatever you like.
**Sometimes he does the hammer-ons in 'B', 'C', and 'D', other times he skips the open
string. Sometimes he'll throw in some 8th and 16th notes in 'B', 'C', 'D', and 'E',
too. Whatever rhythm you want to make.
I think 'I' and the first measure of 'A' have some mistakes, but the copy I tabbed this
from has almost no bass. I could barely hear it even after using an equalizer. If you
think you can fix it, e-mail me.
Tabbed by Marshall Haueter, [email protected]
Based on the tab by Steven Snide
|